-
Poetry
- Photography
-
Publications
-
Research
- Movement
Biography
Statement
Contact
My practice as an interdisciplinary choreographer is rooted in the belief that choreography extends far beyond the traditional boundaries of dance. I see choreography as a fundamental principle of organization, composition, and relation, applicable to all aspects of life and art. My work seeks to research the choreographic underpinnings of diverse disciplines and to weave these insights into a new form of cross-disciplinary communication.
Central to my practice is the concept of complex systems. I treat performance not as a fixed, predetermined sequence of events, but as a living, evolving, often repeating pattern that emerges from the complex interplay of elements and choices. This approach is heavily influenced by cybernetics and systems theory.
This practice frequently manfiests as durational, relational pieces where the body becomes both the process and the medium. These extended performances allow for a deeper exploration of the performers relationship to time, space, and the way they engage with the world, in a way that might otherwise be obscured during shorter pieces.
My performances often incorporate technology, not as a tool or special effect, but as an integral part of the choreographic process. I use sensors, algorithms, and real-time data processing to create feedback loops within the performance, allowing for a constant dialogue between all elements and systems present.
Through my practice, I aim to expand our understanding of what choreography is. I believe that by revealing the interplay inherent in all systems, be they biological, technological, or social, we can develop new structure(less) processes for creating work that transcends traditional disciplinary boundaries.